Gil Shaham Joins the Boston Pops for John Williams’ Film Night at Tanglewood

1280px-Tanglewood_Music_Shed_and_Lawn,_Lenox,_MAMaking a return to the Tanglewood Music Center on August 22, Gil takes part in a program devoted to the movie scores of John Williams, including Jurassic ParkJaws, and Star Wars. Conductor Keith Lockhart has stepped in to replace the composer himself, who unfortunately was forced to cancel due to a back ailment. Guest conductor David Newman will also lead a salute to Paramount Pictures featuring music from films including Forrest GumpSunset BoulevardSabrina, and The Godfather.

Tickets and more information about the performance can be found here.

A summer of Bach, Mendelssohn, Tchaikovsky and Bruch

This summer Gil tours the United States, performing some of the most beautiful and iconic violin concertos. In July, as he does every summer, Gil returns to the Aspen Music Festival to play Bach’s Violin Concerto in A minor with the Aspen Chamber Symphony and Jeffrey Kahane. Next, he reunites with Gustavo Dudamel and the Los Angeles Philharmonic for a performance of Mendelssohn’s Violin Concerto at the Hollywood Bowl. August brings a visit to Idaho’s Sun Valley Summer Symphony for Tchaikovsky before heading to the Blossom Music Festival for a performance of Bruch with Edo de Waart and The Cleveland Orchestra.


For more information about upcoming performances, check out Gil’s full schedule.


CC14-Bach cover hi-resAudiences and critics all over the world have been amazed by Gil Shaham’s innovative interpretations of J.S. Bach’s Sonatas and Partitas for solo violin. Between Gil’s live performances of the works and his new recording on Canary Classics, listeners have
been moved to revisit their expectations of these well-loved pieces.

“It was like witnessing a new chapter in violin history,” said a review from “Shaham turned these familiar works
on their head. Most violinists make concessions in Bach, based on the constraints of technique, but Shaham has reached a level
of mastery with these pieces that allowed for a great deal of experimentation… he went for a wholesale re-thinking of speed, from
the setting of basic tempos to the fitting of embellishments into impossibly tiny spaces of time.”

Other media highlights include:

“Shaham likes the way Bach’s dance music swings with the slightly faster tempos… Musically I have been finding a lot to enjoy and admire in these performances.”
– BBC Radio

“Shaham’s playing sparkles with vitality and astonishes with its technical brilliance.”
– BBC Music Magazine

“Violinist Gil Shaham has taken up Baroque-style bow and gut strings, but this is no typical period style. Long years of playing Bach’s six great solo works for violin have led Shaham to a personal and free way of playing.”
– The Financial Times

“Shaham’s playing is so clean, clear and precise, and the thought behind everything he plays so unassailable, that to listen to it is to feel safe with music …it is impossible to listen to it without having a positive artistic experience.”
– Gramophone

“His technique is flawless. He has a particular gift for ending each movement: thoughtful, and in apt conclusion as to what has gone before.”
– The Observer